I was on GoodReads.com not long ago and came upon a list of writing tips by best-selling author Chris Bohjalian, that previously appeared on his blog in January 2006. I found them to be timeless and he graciously gave me permission to share them here. Chris is the author of Midwives, The Sandcastle Girls, The Light in the Ruins, and Skeletons at the Feast, among others. His most recent novel, Close Your Eyes, Hold Hands, was published this summer.
Ten Tips to Help Aspiring Writers Stretch their Fiction by Chris Bohjalian
|Chris Bohjalian, photo by Aaron Spagnolo|
- Don't merely write what you know. Write what you don't know. It might be more difficult at first, but--unless you've just scaled Mount Everest or found a cure for all cancers--it will also be more interesting.
- Do some research. Read the letters John Winthrop wrote to his wife, or the letters a Civil War private sent home to his family from Antietam, or the stories the metalworkers told of their experiences on the girders high in the air when they were building the Empire State Building.
Photo by Lewis Hine
- Interview someone who knows something about your topic. Fiction may be a solitary business when you're actually writing, but prior to sitting down with your computer (or pencil or pen), it often demands getting out into the real world and learning how (for instance) an ob-gyn spends her day, or what a lawyer does when he isn't in the courtroom, or exactly what it feels like to a farmer to milk a cow when he's been doing it for 35 years. Ask questions ... and listen.
- Interview someone else. Anyone else. Ask questions what are absolutely none of your business. Ask about their childhood, their marriage, their sex life. They don't have to be interesting (though it helps). They don't even have to be honest.
- Read some fiction you wouldn't normally read: A translation of a Czech novel, a mystery, a book you heard someone in authority dismiss as "genre fiction."
- Write for a day without quote marks. It will encourage you to see the conversation differently, and help you to hear in your head more precisely what people are saying and thereby create dialogue that sounds more realistic. You may even decide you don't need quote marks in the finished story.
- Skim the thesaurus, flip through the dictionary. Find new words and words you use rarely--lurch, churn, disconsolate, effulgent, intimations, sepulchral, percolate, pallid, reproach--and use them in sentences.
- Lie. Put down on paper the most interesting lies you can imagine ... and then make them plausible.
- Write one terrific sentence. Don't worry about anything else--not where the story is going, not where it should end. Don't pressure yourself to write 500 or 1,000 words this morning. Just write 10 or 15 that are very, very sound.
- Pretend you're a banker, but you write in the night to prove to some writing professor that she was wrong, wrong, wrong. Allow yourself a small dram of righteous anger.