Friday, August 30, 2013

My Writing Bookshelf

By Susan

I am, and always will be, a student of the written word.

In the past year, I've attended more writing workshops and conferences than ever, and have taken time for myself on personal retreats both alone and with other writers. I've brainstormed with poets and novelists about craft. I'd like to say that by now, I know a little bit about the basics of fiction: character, craft, plot, theme, and creating suspense in the shape of beautiful language.

Yet this past week, pulled by a strong desire to know more, read more, and to write more, I found myself in the 800 section of my local library, skimming the spines of writers and critics who once again attempt to answer the questions Why do we write? And How can we write even better?

Now: I will tell you that the best advice to writers is simply to write, not to read about writing. (My second piece of advice is that in order to write good fiction you must also read good fiction.) Yet as I've continued my path down the student's road, I've found that all of the genius voices in literature were not born of genius alone: they were shaped and molded and wrought onto their pages with style, art, and a deep commitment to the process.

So for today's Friday round-up, I thought I'd share both my own collection of books on writing and the three I just picked up at the library. Enjoy!

Eudora Welty, On Writing, edited by Richard Bausch, (Modern Library Edition, 2002)
Eudora Welty, One Writer's Beginnings, (Harvard University Press, 2004)
Ralph L. Walhstrom, The Tao of Writing, (Adam's Media, 2006)
The Associated Press Stylebook and Libel Manual, (The Associated Press, 1987)
Earnest Hemingway on Writing, edited by Larry W. Phillips, (Scribner, 1984)
The Complete Handbook of Novel Writing, (Writer's Digest Books, 2002)
Norman Mailer, The Spooky Art: Thoughts on Writing, (Random House, 2004)
Barbara DeMarco-Barrett, Pen on Fire: A Busy Woman's Guide to Igniting the Writer Within, (Harcourt, 2004)
Betsy Lerner, The Forest for the Trees: An Editor's Advice to Writers, (Riverhead Books, 2000)
James Wood, How Fiction Works, (Picador, 2008)
Danell Jones, The Virginia Woolf Writer's Workshop: Seven Lessons to Inspire Great Writing, (Bantam Dell, 2007)
The Secret Miracle, The Novelist's Handbook, edited by Daniel Alarcon, (Holt, 2010)
Eric Maisel, A Writer's Paris, (Writer's Digest Books, 2007)
Frederick Busch, Letters to a Fiction Writer, (Norton, 1999)
John Gardner, The Art of Fiction, Notes on Craft for Young Writers, (Vintage, 1991)
2001 Novel and Short Story Writer's Market, (Writer's Digest Books, 2001)
Josip Novakovich, Fiction Writer's Workshop, (Story Press, 1998)
Rick DeMarinis, The Art and Craft of the Short Story, (Story Press, 2000)
Arthur Plotnik, Honk if You're a Writer: Unabashed Advice, Undiluted Experience, and Unadulterated Inspiration for Writers and Writers-To-Be, (Fireside, 1992)
Julie Cameron, The Artist's Way: A Spiritual Path to Higher Creativity, (Putnum, 2004)
Noah Lukeman, The First Five Pages: A Writer's Guide to Staying Out of the Rejection Pile, (Touchstone, 2000)

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