Showing posts with label Sarah McCoy. Show all posts
Showing posts with label Sarah McCoy. Show all posts

Friday, September 12, 2014

A Review of Grand Central: Original Stories of Postwar Love and Reunion

By Kim,

Synopsis (from the book jacket):

A war bride awaits the arrival of her GI husband at the platform…

A Holocaust survivor works at the Oyster Bar, where a customer reminds him of his late mother…

A Hollywood hopeful anticipates her first screen test and a chance at stardom in the Kissing Room…

On any particular day, thousands upon thousands of people pass through New York City’s Grand Central Terminal, through the whispering gallery, beneath the ceiling of stars, and past the information booth and its beckoning four-faced clock, to whatever destination is calling them. It is a place where people come to say hello and goodbye. And each person has a story to tell.

Now, ten bestselling authors inspired by this iconic landmark have created their own stories, set on the same day just after the end of World War II, in a time of hope, uncertainty, change, and renewal…

About the authors:

Melanie Benjamin is the NYT bestselling author of The Aviator’s Wife
Jenna Blum is the NYT bestselling author of Those Who Save Us
Amanda Hodgkinson is the NYT bestselling author of 22 Britannia Road
Pam Jenoff is the bestselling author of The Kommandant’s Girl
Sarah Jio is the NYT bestselling author of Blackberry Winter
Sarah McCoy is the bestselling author of The Baker’s Daughter
Kristina McMorris is the NYT bestselling author of Bridge of Scarlet Leaves
Alyson Richman is the bestselling author of The Lost Wife
Erika Robuck is the critically acclaimed author of Call Me Zelda
Karen White is the NYT bestselling author of The Time Between

Review:

I don’t remember the last time I picked up an anthology of short stories, but this one I could not resist. First off, look at that list of authors, several of whom are among my favorites. Second, all the stories take place just after WWII, which is a major selling point with me. Third, I’m in love with the cover.

Let’s talk about that cover a moment, actually, because if a reader were to judge this book solely on its cover, that person may be in for a disappointment. As the title promises, there are love stories in this volume. Not all love stories end well. There are also tales of reunion, though some reunions are more nightmare than bliss.

Grand Central is not a light read. This is a volume filled with stories that made me swoon, filled me with rage, brought on tears, and made me want to reach into the pages to alternately shake and hug a certain character who was about to put herself and her child in terrible danger. (Erika Robuck, I’m looking at you.)

One of the most wonderful things about this collection is that while all the stories could stand on their own, this book was clearly a collaborative effort. That violinist playing in Jenna Blum’s “The Lucky One?” The reader will recognize Gregori from Alyson Richman’s “Going Home.” In Karen White’s “The Harvest Season,” Ginny will see a young woman run through Grand Central calling out the name David. The reader will know that is Ella from Pam Jenoff’s “Strand of Pearls” and, like me, will likely pray she finds her David. Finding connections between the stories became a fun game to play while I read and it certainly kept me from setting the book down often.


Have you read Grand Central? I’d love to know your thoughts.

Wednesday, February 29, 2012

Another stop on Sarah McCoy's virtual book tour

by Joan

I read the advanced buzz on Sarah McCoy's second novel a few months ago and couldn’t wait to get my hands on it (look at that cover!). Then, not only did I finish the book in record time and grab the chance to send some Q&A to Sarah, but I also trekked to the wonderful Dallas Indie bookstore, A Real Bookstore in Fairview, Texas, to meet the lovely Sarah in person. By the time we met face-to-face, we’d been emailing back and forth like old chums, sharing Valentine’s Day stories and east-coast roots. It’s my lucky pleasure to introduce Sarah to our readers.

SARAH McCOY is the author of the novels The Baker's Daughter and The Time It Snowed In Puerto Rico. The Baker's Daughter released in 2012 and was praised as a “beautiful heart-breaking gem of a novel” by Tatiana de Rosnay and a “thoughtful reading experience indeed” by Chris Bohjalian. The Baker’s Daughter is a Doubleday/Literary Guild Book Club selection. Sarah has taught writing at Old Dominion University and at the University of Texas at El Paso. The daughter of an army officer, her family was stationed in Germany during her childhood. She currently lives with her husband and dog, Gilbert, in El Paso, Texas, where she is working on her next novel.


Interview: The Baker’s Daughter by Sarah McCoy

J: You wrote in a recent interview on the Bermuda Onion blog about your love of research and sequestering yourself in large university libraries. I also draw from the past when writing and get lost while doing so. Also like myself, you have written that you are a Type-A perfectionist. How do you cut yourself off and know when you’ve researched enough to start writing?

Sarah: Such a pleasure to meet a fellow perfectionist! We should form a Type-A tribe that meets around bonfires to burn imperfect pages and dull-tipped pencils. I actually didn’t have too much trouble when it came to reining in the research. Being the organization freak that I am, I outlined the story in my journal first so I had a road map for what elements I needed to inform the characters’ perspectives in specific chapters/scenes. Then I went searching for those historical nuggets. Of course, while pulling up related documents and interviews, I ran into information that blew the lid off my preconceived notions of present-day El Paso and WWII Germany. Like the material on the Lebensborn Program. To make the characters as authentic as possible, the known and unknown facts had to be included in their story. In a way, I, as the author/reader, was on a kind of fictional archeological dig to uncover understanding. Who were these German people beyond the stereotypical image we know? Similarly, who are we, Mexicans and Americans, today? Writing this novel was as much about the examination of history as it was the examination of community—myself included therein. So I guess that’s my roundabout way of saying I didn’t start with the research, as much as I enjoy it. I started with the characters.

J: And such lively characters they are! Part of the charm of The Baker’s Daughter is meeting the secondary characters. Jane and Riki, of course, but to me, the elder Elsie felt a different character altogether and I enjoyed fitting the pieces together to figure out how she got to that place. She is complex, wanting so much to be a good daughter, yet wanting her independence even more. How did she grow and change as you wrote her?

Sarah: Again, I must defer to my creative process. I outlined the “young” Elsie’s story first, so I knew what I was working with in the “old” Elsie. The idea sparked when I met a warm but feisty 80-year-old German entrepreneur selling bread at a bazaar in El Paso. I asked her how she came to be so far from Germany. She said she moved to Fort Bliss with her husband, an American soldier she met at the end of WWII. That ignited a flame in my imagination that wouldn’t die. I began to dream bigger and bigger until I felt I knew that Germany woman intimately. I could hear her voice, young and old, in my mind. So while the novel opens with Elsie in her 80s, I’d sketched out her narrative arc from young to old then wrote the chapters old to young. She became rounder and more substantial as I wrote my way through the book, but I always knew she struggled with what outside forces told her to do and what her heart told her was right. I believe that feeling is shared by woman and men today.

J: The mirror of the border patrol storyline in El Paso and the Garmisch Gestapo is a strong and ironic comparison, yet you don’t hit readers over the head with it. What surprised you most about the similarities?

Sarah: I didn’t start the book intending to make any comparison. I don’t have any political agenda or side. Independent. I wholeheartedly embrace that word/term/description. So I was simply writing a story about a German woman in El Paso. At the time I was freelance writing for a local Arts and Entertainment magazine while teaching a Research & Writing course at the University of Texas at El Paso. So Reba, Riki, Jane, Sergio, and all the present-day characters were born out of working with fellow journalists, interviewees around the city, and my students. You can’t live in El Paso or have a novel set in El Paso without discussing the Customs and Border Protection. It’s as everyday here as sand on the windowsill.

J: Nice analogy! Now there's another character who stole my heart: the singing Tobias. Elsie hides Tobias in a clever and shocking place. How did that scene come to you and did you receive flack from readers for it?

Sarah: I haven’t received any flack. In fact, Robin Kall, who hosts the Reading with Robin radio show, emailed me in the middle of reading The Baker’s Daughter to tell me that her grandfather had been hidden in a similar place when the Nazis invaded Poland. Of course, I wrote the novel never knowing about Robin’s grandfather. The fact that Tobias’s story reflected his… well, I got chills. Kismet at work. Robin loved the novel, and I’ll be on her show in March. I hope What Women Write readers tune in!

J: Looking forward to it! I peeked at your book tour schedule, a combination of virtual and in-person appearances. You blog, you Twitter, you're on FaceBook. How does the all-inclusive marketing landscape challenge you the most? When do you find time to research and write your next novel? Or do you?

Sarah: Good question! It is all-inclusive. Being an author these days takes every ounce of energy you’ve got. For marketing, you’ve got to do the online, the in-person, and the behind the scenes. Lord almighty, I’ve never wanted science to invent cloning so much. Either cloning or the ability to stop time: I’ll take either. I started writing my next novel this past fall so I’ve had a few months to get started. Like all my work, however, the story has been marinating in my journal for over a year. I’ve outlined it different ways, so we shall see which “choose your own adventure” the characters decide to take.

J: Can you tell us about it?

Sarah: The novel I’m currently working on examines parenthood. I’m captivated by the idea of nurturing—what it means to mother and father outside the conventions of physical paternity. Inspiration for this novel came from my own life and from walking closely beside close friends as they struggled with parenthood/fertility issues. It’s a contemporary story, set in a quirky place I hold most dear, and told from the perspectives of a husband and wife in a fractured marriage. My couple is confronted with monumental decisions regarding betrayal and forgiveness, life and death, which ultimately shape their future.

J: What a fascinating topic. Looking forward to that one! We love movies here, so I have to ask, are there plans to make a movie version of The Baker’s Daughter and who would your dream cast be?

Sarah: Mercy, girlfriend, I do love movies too! Nothing better than a Saturday night in fuzzy pjs tucked up on the couch with my husband, my pup, the smell of fresh popcorn, and a good movie! I can’t even begin to come up with a dream cast. I’m enamored by so many actors: Anne Hathaway, Meryl Streep, Emma Stone, Rachel McAdams, Leonardo DiCaprio, Ed Norton, Eddie Redmayne, Joseph Gordon-Levitt, Ryan Gosling… good heavens, I need to stop.

J: Eddie Redmayne is wonderful—I loved him in the miniseries version of Pillars of the Earth and was delightfully surprised to see him in My Week with Marilyn! Ooh, and don’t get us started on Ryan Gosling.

I’m looking forward to trying some of Elsie’s German recipes in the epilogue. Do you have a favorite?

Sarah: I so hope you give them a try! They’re stamped with my husband’s “Schmeckt gut!” approval. I couldn’t pick a favorite. They each have their own unique spice and flavor, their own beauty and promise of satisfaction. It all depends on what you, the reader and baker, are craving and what fills your hunger.

Thanks so much for having me over to What Women Write and for asking such great questions, Joan. I hope all of your readers enjoy The Baker’s Daughter!

J: Now, anyone up for a giveaway? There's a hardback on my desk, waiting for a hungry reader. Leave your email address by March 4th and we'll draw a lucky winner.

Wednesday, October 26, 2011

So many books, so little time

By Julie

Take a look at the photo below. Looks like a nice group of women, friends gathered for dinner, maybe a ladies' night out, right?

Yes, it's all that, but more. This photo, my friends, represents a powerhouse, before your very eyes.

Last weekend, I met a group of women's fiction writers at a retreat near Mt. Hood, Oregon, organized by Kristina McMorris, who is a powerhouse in one woman alone. (This photo was taken Saturday evening by our gracious server at the Timberline Lodge, the eerily perfect location where The Shining's outdoor scenes were filmed. One of us--Sarah McCoy--was missing from the shot, unfortunately, due to an earlier departure than the rest!)

Mostly, we hung out--working some, writing some, hiking some, eating a LOT. But the best part of the weekend for me was the conversation. As a writer about to be published, it was educational and enlightening to spend three concentrated days with a group of women who have mostly already been down that road. And honestly, it was refreshing for the mystique to be slightly removed from this species as I realized how much we published and "pre-published" writers are still alike in our fears and insecurities, our dreams and goals.

It was also overwhelming. But not because of these women, who were gracious and friendly and down-to-earth and made me feel like one of them the minute we finally all convened in one place at Trader Joe's to purchase supplies before we went up the mountain. (Read: wine and chocolate.)

No, it wasn't them. It was when, at several points during the weekend, I turned to new friends and said, "Isn't it overwhelming sometimes to realize how many amazing novels are out there just waiting to be published and/or read?"

We all agreed that while the Internet is an amazing tool, has opened doors wide for writers to market their books and network with readers and other writers, it can also be a cause for panic in that moment when you begin to comprehend JUST HOW MANY novels are sent into the world each and every month, to find their way into the hands of the right readers, to swim or maybe to sink--oftentimes due not to the quality of their content, but to a little bit of luck or circumstances.

It wasn't the first time I've encountered this feeling. But it was only driven home as I sat and marveled at the sheer amount of talent in this small group of nine. This powerhouse of nine.

There was Kristina McMorris, the generous hostess who organized us and contributed more to this weekend than I'd ever be able to address in a simple blog post. Kris has already published one award-winning novel, Letters from Home (which Kim featured in an interview on www earlier this year), and she has a new one waiting in the wings, Bridge of Scarlet Leaves.

Erika Robuck's second novel Hemingway's Girl comes out in 2012, and she astounded us as she talked about the research that goes into her work. (Joan interviewed her here!).

The veteran author of the weekend, Marilyn Brant, will release her third novel, A Summer in Europe, in December, and it traveled home in my suitcase as an ARC I'm already enjoying, alongside a pair of "ugly socks." (She wanted to be sure we all had this one item critical for a writing retreat!) She pairs love stories with her love of travel and all things Jane Austen.

Therese Walsh and Jael McHenry share an amazing agent with me in Elisabeth Weed. Their debut novels, The Last Will of Moira Leahy and The Kitchen Daughter, both with elements of magical realism, were published to great anticipation in the last few years, and both are already hard at work on their next stories.

Sarah McCoy is a tiny girl with a huge heart, and she sent us all home with dried Hatch Chiles. She's already published The Time it Snowed in Puerto Rico, full of setting details from her own childhood, and her next novel, The Baker's Daughter, comes out soon and is already creating quite the buzz!

Then there was Margaret Dilloway. She might be Japanese American and nearly a decade younger, but I'm pretty sure we are twin daughters from another mother. From the moment we discovered we had the same camera as we hiked along a trail together, stopping every 30 seconds to capture another detail, until we had to say goodbye, I can't count how many times we smiled and shook our heads when one or the other of us revealed another personality quirk or life experience in common. I truly believe I'll waste away before I get to read her multicultural debut novel, How to Be An American Housewife, and close on its heels, The Care and Handling of Roses with Thorns, a family drama due out next spring.

And last, but not least, I met Sarah Callender, not yet published, but agented and revising. Down in my bones, I feel sure her fascinating story will be featured in Publisher's Marketplace sometime in the very near future. In the meantime, she entertains readers with her hilarious blog posts at Inside Out Underpants. She and Margaret and I bunked in the same condo and we're already scheming our next escape from real life.

If that much talent could be gathered in one spot, how much more must there be in the world? It makes me a little nervous for my fledgling novel, Calling Me Home. But not so nervous I'd trade the experiences I've had meeting and getting to know so many marvelously talented writers since I started this journey.

Check out some of these writers who might be new to you. I added a few to my own list this weekend! But how will I ever read all these books?! So many books, so little time ...


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