Showing posts with label story. Show all posts
Showing posts with label story. Show all posts

Wednesday, June 6, 2012

Keepers


By Julie

I’m finishing up my last load of laundry. My laundry. In my busy household, I always seem to be the last one to sneak a load into the washer. I work from home. Yoga pants or shorts and a comfy t-shirt are as fancy as I dress most days, so I rarely need first dibs on the washer and dryer. My teenage girls can’t tell the difference between the clean and dirty clothes on their floors, so they just throw it ALL in, rushing to launder what they need for school or more exciting vacations than I’m taking. My husband, a typical engineer, does his own laundry methodically each and every Sunday, and I don’t want to mess with a good thing. My mother has a small wardrobe and needs her laundry done more regularly than I do.

When I finally get a chance to wash my own clothes, I hang my shirts to dry. It means one less step in the process—not to mention they last longer when they’re not tossed around in a hot dryer. And though I only manage a few loads in the space of a month, I still gaze with dismay—and even a little bit of awe—at the number of well-worn t-shirts hanging in the doorways of my laundry room, bedroom, and bathroom.

This is a LOT of shirts. I’m venturing a guess they number between thirty and forty. Wow. Thirty to forty shirts? And I wouldn’t wear most of them in public beyond a fast chauffeur run or to walk the dogs in the dark.

Yet, as I contemplate pruning a few for the giveaway pile, I find myself unable to do it. First, these shirts are worn just right. Second, though everyone else’s laundry trumps mine, I’ll never have to resort to scratching splattered spaghetti sauce from the front of a shirt and wearing it one more time.

But there is nothing special about any one of them.

I admit it. I am that girl. I am the one who struggles to throw anything away—even worn-out clothing with no sentimental value. I’m not sure why. Perhaps it’s the result of growing up in a household that struggled financially. I was buying my own clothing by the time I was 11 or 12 with money I earned babysitting. It was how I avoided decade-old hand-me-downs from distant cousins or fashion disasters from the discount racks at Woolworth’s or K-Mart. Still, I still don’t quite comprehend this often-unreasonable need to hold onto things.

I pause to catch my breath after shifting so many fresh-smelling shirts from the doorways to my closet, and then my gaze drops to what lurks in the corner of the laundry room—the miscellaneous items that don’t quite fit with the regular loads but never seem to get washed on their own. They simply wait there for someone to take notice, gathering dust until the pile threatens to topple over.

The top item in the heap is a small, old-fashioned, pink and blue baby quilt. At first, I’m horrified to see it there. After being buried in the pile for who knows how many months, apparently, it has finally risen to the top. It’s ragged and speckled with stains of unknown origin—not to mention dappled with dryer lint.

Why is it here? Who placed it in the pile? Me? One of my teenagers? Perhaps my husband moved it here from another pile, not knowing exactly what to do with it.

I carry it to my bedroom where I lift it up and hold it out for a gander. Then I look closer. This detail, I knew before, but today, it takes on new significance.

This baby quilt isn’t just any quilt. It’s old. It’s ripped. It’s stained.

And inside it is another baby quilt.

Apparently, my grandmother made the original one for my mother when she was a baby. When it began to wear, Grandma pieced and sewed another. However, instead of quilting fresh batting into the new cover, she simply dropped the old quilt down inside, sewed it closed, and tacked it together with bits of yarn at the corners of the individual pieces.

Why? Maybe that was the norm. The quilt originated, after all, in the days of “Use it up, wear it out, make it do, or do without.”

Or . . . maybe not.

Maybe, like me, and like so many in my family, my grandmother was a keeper of things. Maybe she couldn’t bear to part with the old quilt, made by hand for her baby girl, but couldn’t think of any other purpose for it, so she hid it inside something new.

I spread the quilt across my bed. I smooth its worn surface and then reach down inside to run my fingers over the older stitching there. I think about my family and the way we keep things, and the way we keep passing them down, even if they are ragged and dusty and don’t seem to serve any purpose beyond reminding us of earlier days.

And then I think about how we do the same thing with our stories. Some folks I know don’t seem to have the same repertoire of family lore my family has. They also have neater and cleaner houses and a lot less junk. When I mention writing Calling Me Home based on a bit of family lore, some folks look fascinated, but not particularly inspired. And when I mention thinking through the new story, they probably wonder why I don’t leave the many bits of family history that might make their way into my manuscript safely in the past.

Though I really must sort through my shirts soon and discard what I don’t need, I suspect my struggle to let go may be innate. Maybe it has something to do with my DNA, with my family’s compulsion to keep things—not least of all, the stories, to pass them, along with a ragged, double-quilted baby blanket, from generation to generation.

Perhaps some of us were born to be the keepers of things and the keepers of the stories.

Monday, May 28, 2012

Great characters


by Austin Mora, guest blogger

 A little while back I asked my mom which character (among the many in the multitude of books she has read) would she identify as her favorite.  We skimmed over a few of her favorite books in search of someone outstanding, but in the end she could really only describe the stories that had affected her, and that the characters she had encountered merely played into the stories that surrounded them.

And that got me thinking about what separates the story from the character.  I mean, in what sense does the story have an obligation to accept the character and surround the character with a place to breathe and exist.  In what sense must the character be willing to submit to destiny as the plot unfolds?  I wanted to think about some of the greatest characters ever created, perhaps only to attempt to figure out what made them great.  

Hamlet, Odysseus, Don Quixote, Gatsby, Oedipus, all incredibly influential characters in the annals of literature and vivacious people who came through to us because of what happened to them and what they did in response.  In the grand scheme, they were characters defined by the stories that surrounded them and whose actions, when the time came for them to act, made them particularly human.  


Oedipus’s brilliance and strength is undermined by his ill-fated existence; his connection to humanity lies in his futile attempt to right the wrong and the realization that sometimes destiny is too powerful.  Odysseus uses his unparalleled cunning and innate sense of survival for the journey home, but it leaves him broken, alone, but nevertheless persistent in his quest for home.  Hamlet’s inability to act, even against the murder of his father and the unrelenting deceit that follows him in a rotten Denmark.  

In all of these characters, there is nothing supernatural, nor even anything exceptionally implausible (discounting encounters of mythical creatures).  But what makes them great is the reader’s ability to relate to the character, that what they do we might all do, or at least wish to if we had the chance.  The characters only exist to bring us together, to recognize that some part of us is in them and always will be.

Austin Mora is a sophomore in the Marshall School of Business at University of Southern California, minoring in English. He writes short stories and screenplays.

Wednesday, September 30, 2009

Time to Think

by Elizabeth

Funny thing about productivity.

A couple of weeks ago I was on a tear, writing every day, producing words, moving along with my WIP. I knew much of it would never make it to the final draft, but along I plugged anyway. I'd made an appointment with the muse, and even if she didn't decide to show up, I would, and I'd work alone if I had to.

Then life hit again, and it coincided with doubt, and let me tell you, for a writer that isn't the prettiest combination. Its offspring, in this case, was twins: self-doubt and lethargy. Not the cutest pair in the nursery.

I needed to get back to the basics. Plot. Story. Characters. I didn't really have enough of any of them, more a situation for some cardboard cliches. Situations might be interesting, but they don't make a novel. I needed a refresher course on how to write a book. It showed up in the most obvious of places.

Books, of course. I read, and with the mindset of a writer. It helped that the novel I'd happened to grab at the library earlier in the week had realistic twists and turns, new information that kept me guessing and just a step ahead of the protagonist. (I love feeling smart that way.) Plot! I thought. Story! Not to mention characters. I finished the book and immediately thumbed through it, chapter by chapter, outlining its trajectory.

Then I put down my pen. And started thinking. I thought on the treadmill; pondered as I waited between appointments and in carpool lanes; noodled my way through long walks in the new crisp air. Thought about my book. Its plot, story, characters. I allowed myself to abandon what I thought it should be about, and let my mind decide anew. I think some of the characters had a word or seven to put in as well, not all of them suitable for a family blog.

But: I fell in love.

I'd had an idea and trudged out some 12K words from it, but the heart wasn't yet there. My heart wasn't there. Not only had I just placed some characters in a situation rather than a story, I was also ambivalent about committing to this project. My brain kept meandering to other stories (ahem, maybe situations), other characters. I felt unfaithful, even as I showed up each day right on schedule.

Taking the time, giving myself that gift of it, to think, made the difference. I saw how the first chapter would play out, tied it to the central theme of the book. I invented peripheral characters with the big job of advancing the story. I made decisions about the challenges my characters would face, helping tap the elusive-for-me plot into place. I saw how the book would end, how it would break my heart in doing so, only to staple it back together. I felt those characters' hopes rise as their stories unfolded, and crumbled beside them with their disappointments. I found the excitement I'd been missing.

So now I'm ready to get back to work, scribble out words that might stand a chance of surviving revision and critique. I'm ready to show up and see if the muse meets me, and my guess is that this time she'll be there more often. If not, I'll survive. I've got a real story now, and a plot. I've got the enthusiasm. I've got some people with a story to tell, and they're counting on me to do it.
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